author | bibliography | Papers |
Adsuara, Clara | Remarks on the structure of kalophonic stichera, working hypotheses, Sopron 1995, 1-16 | paper |
Alexandru, Maria | Zu den megala semadia der byzantinischen Notation, Sopron 1995, 17-41 | paper |
Bernadó, Màrius | Musical contents of the Catalan printed rituals of the 16th century, Sopron 1995, 43-65 | paper |
Boewe-Koob, Edith | Ein Fragment aus dem Konvent San Domenico in Taggia, Sopron 1995, 67-97 | paper |
Boyce, James J. | Rhymed office responsory verses, style chracteristics and musical significance, Sopron 1995, 99-121 | paper |
Brewer, Charles E. | Cantus Regine, The liturgical manuscripts of Queen Alzbeta Rejcka, 123- Sopron 1995, 123-137 | paper |
Camilot-Oswald, Raffaella | Neue Fragmente liturgischer Musikhandschriften aus dem frühmittelalterlichen Regensburg, Sopron 1995, 139-152 | paper |
Colette, Marie-Noël | Ordonnance alternative de tropes de Glorias dans le manuscrit Paris, BNF., Lat.1119. Problematique musicologique, Soprona 1995, 153-168 | paper |
Czagány, Zsuzsa | Das Breviarium notatum CO 3 der ehemaligen Olmützer Kapitelbibliothek, Sopron 1995, 169-177 | paper |
Dobszay, László | Some remarks on Jean Claires Octoechos, Sopron 1995, 179-194 | paper |
Dyer, Joseph | The clavis in thirteenth-century music theory, Sopron 1995, 195-212 | paper |
Edwards, Owain T. | Searching for the music of the Use of Nidaros, Sopron 1995, 213-227 | paper |
Engels, Stefan | Neumenfamilien und Choralnotationen in Österreich, Sopron 1995, 229-239 | paper |
Haggh, Barbara | Sources for plainchant and ritual in London and Ghent, a survey and comparison, Sopron 1995, 241-271 | paper |
Harris, Simon | Byzantine psalmody, an interim report, Sopron 1995, 273-286 | paper |
Hiley, David | The English Benedictine version of the Historia Sancti Gregorii and the date of the Winchester Troper (Cambridge, Corpus Christi College, 473), Sopron 1995, 287-303 | paper |
Iversen, Gunilla | Incipiunt Glorie cum laudes. Conclusions from a radical redaction. Gloria melody A and its collection of alternating trope verses in the ms Paris B.N. lat. 1119, Sopron 1995, 305-328 | paper |
Jung, Annette | The interaction between the syllabic and the melismatic in the hymns of the Standard Abridged Version of the Sticherarion, Sopron 1995, 329-336 | paper |
Karp, Theodore | The chant background to Isaacs Choralis Constantinus, Sopron 1995, 337-341 | paper |
Kiss, Gábor | Tonal variants in the Hungarian antiphon repertory, Sopron 1995, 343-355 | paper |
Klundert, Sieglinde van de | Der Tractatus de tonis des Guido von Saint-Denis, Sopron 1995, 357-367 | paper |
Kujumdzieva, Svetlana | The Akathistos once again. A study based on Balkan musical sources, Sopron 1995, 369-389 | paper |
Livljanic, Katarina | Per hebdomadam à Monte Cassino, quelques aspects de loffice férial dans lantiphonaire cassinien (Monte Cassino, Archivio della Badia, ms. 542), Sopron 1995, 391-402 | paper |
McKinnon, James | Vaticana Latina 5319, witness to the eighth-century Roman mass proper, Sopron 1995, 403-411 | paper |
Jensen, Brian Møller | Celebrating Christmas in Piacenza in 1142, Sopron 1995, 413-433 | paper |
Niiyama-Kalicki, Fumiko | Die Heilige Erentrudis in der Nonnberger Liturgie in Salzburg, Sopron 1995, 435-450 | paper |
Petersen, Nils Holger | The musical and liturgical composition of Visitatio sepulchri offices, Sopron 1995, 451-462 | paper |
Prassl, Franz Karl | Zu Geschichte und Inhalt des ältesten Salzburger Liber Ordinatius (Codex M II 6 der Universitätsbibliothek Salzburg), Sopron 1995, 463-472 | paper |
Rausch, Alexander | Beobachtungen zum Kurztonar des Bern von Reichenau, Sopron 1995, 473-480 | paper |
Schier, Volker | Aspekte zum frühen Tropenschaffen in Franken, Sopron 1995, 481-487 | paper |
Schiødt, Nanna | Enigmatic neumes in the kontakion repertoire. An examination based on the Akathistos Hymn, Sopron 1995, 489-504 | paper |
Schmid, Bernhold | Super hymnum Ave maris stella bicinium sequitur. Aspekte einer Credo-Vertonung um 1600, Sopron 1995, 505-519 | paper |
Shkolnik, Irina | Byzantine prosomoion singing, a general survey of the repertoire of the notated szichera models (automela), Sopron 1995, 521-537 | paper |
Shkolnik, Marina | Some principles of rhythmic organization in Byzantine music (a study based on the Byzantine-Russian heirmologion), Sopron 1995, 537-553 | paper |
Szendrei, Janka | Prager Quellen zum Hirsauer Choral, Sopron 1995, 555-574 | paper |
Teviotdale, Elizabeth C. | A fragmentary Cistercian antiphonal in the Getty Museum and its illumination, Sopron 1995, 575-584 | paper |
Toneva, Elena | Late-Byzantine psalmody - Some observations on structural problems, Sopron 1995, 585-600 | paper |
Troelsgård, Christian | Melodic variation in the "marginal" repertories of Byzantine musical mss, exemplified by Apolytikia/Kontakia and Exaposteilaria Anastasima, Sopron 1995, 601-609 | paper |
Weber, Jerome F. | Andrew Hughes and the late medieval liturgical office, Sopron 1995, 611-615 | paper |
Wolfram, Gerda | Die Gesänge der Großen Horen des Karfreitags aus Jerusalemer Tradition, Sopron 1995, 617-625 | paper |